<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: Sorry, What Did You Just Say?</title>
	<atom:link href="http://www.atomicnerds.com/?feed=rss2&#038;p=1100" rel="self" type="application/rss+xml" />
	<link>http://www.atomicnerds.com/?p=1100</link>
	<description>Free Radicals</description>
	<lastBuildDate>Mon, 06 Sep 2010 16:46:03 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=abc</generator>
	<item>
		<title>By: Tam</title>
		<link>http://www.atomicnerds.com/?p=1100&#038;cpage=1#comment-3525</link>
		<dc:creator>Tam</dc:creator>
		<pubDate>Wed, 08 Oct 2008 16:44:20 +0000</pubDate>
		<guid isPermaLink="false">http://www.atomicnerds.com/?p=1100#comment-3525</guid>
		<description>Writing in the vernacular, and still keeping it partially readable, is maybe the hardest thing I do with a keyboard. I&#039;d rather code a page in straight-up HTML without a WYSIWYG editor any day.</description>
		<content:encoded><![CDATA[<p>Writing in the vernacular, and still keeping it partially readable, is maybe the hardest thing I do with a keyboard. I&#8217;d rather code a page in straight-up HTML without a WYSIWYG editor any day.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Sigivald</title>
		<link>http://www.atomicnerds.com/?p=1100&#038;cpage=1#comment-3517</link>
		<dc:creator>Sigivald</dc:creator>
		<pubDate>Tue, 07 Oct 2008 20:06:09 +0000</pubDate>
		<guid isPermaLink="false">http://www.atomicnerds.com/?p=1100#comment-3517</guid>
		<description>The thing I recall from the introductions to the Odyssey and Iliad is also that things like &quot;grey-eyed Athena&quot; and the dozen other synonyms, were all there to provide variety to make the material fit the meter.

When you&#039;re doing &lt;I&gt;poetry&lt;/i&gt;, especially with a fixed meter and hard pattern, you need variety.</description>
		<content:encoded><![CDATA[<p>The thing I recall from the introductions to the Odyssey and Iliad is also that things like &#8220;grey-eyed Athena&#8221; and the dozen other synonyms, were all there to provide variety to make the material fit the meter.</p>
<p>When you&#8217;re doing <i>poetry</i>, especially with a fixed meter and hard pattern, you need variety.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: DJ</title>
		<link>http://www.atomicnerds.com/?p=1100&#038;cpage=1#comment-3516</link>
		<dc:creator>DJ</dc:creator>
		<pubDate>Tue, 07 Oct 2008 14:19:44 +0000</pubDate>
		<guid isPermaLink="false">http://www.atomicnerds.com/?p=1100#comment-3516</guid>
		<description>Hmmm ...

I might have to pursue this a bit further.

I, too, have very little tolerance for talk radio. Partly it&#039;s because it consists mostly of &quot;hosts&quot; who talk all over and drown out &quot;guests&quot;, partly it&#039;s because those who call in are often blithering idiots (yeah, we need more anger, don&#039;t we?), and partly it&#039;s because those who call in just yammer in stumbling fits and starts that I find maddening to follow.

I have NEVER been able to follow the lyrics of most any kind of rock music, but I have no trouble with the lyrics of, for example, Judy Collins or Harry Chapin.  To me, most rock music is just noise, some of which is pleasant to listen to, and most of which is not.

And &lt;i&gt;opera,&lt;/i&gt; you might ask? A diva might as well be singing &lt;i&gt;backwards&lt;/i&gt; in any language, and I can&#039;t tell the difference. It is to laugh.

Books, on the other hand, I can&#039;t live without, even for a short session on the porcelain throne.</description>
		<content:encoded><![CDATA[<p>Hmmm &#8230;</p>
<p>I might have to pursue this a bit further.</p>
<p>I, too, have very little tolerance for talk radio. Partly it&#8217;s because it consists mostly of &#8220;hosts&#8221; who talk all over and drown out &#8220;guests&#8221;, partly it&#8217;s because those who call in are often blithering idiots (yeah, we need more anger, don&#8217;t we?), and partly it&#8217;s because those who call in just yammer in stumbling fits and starts that I find maddening to follow.</p>
<p>I have NEVER been able to follow the lyrics of most any kind of rock music, but I have no trouble with the lyrics of, for example, Judy Collins or Harry Chapin.  To me, most rock music is just noise, some of which is pleasant to listen to, and most of which is not.</p>
<p>And <i>opera,</i> you might ask? A diva might as well be singing <i>backwards</i> in any language, and I can&#8217;t tell the difference. It is to laugh.</p>
<p>Books, on the other hand, I can&#8217;t live without, even for a short session on the porcelain throne.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: the pistolero</title>
		<link>http://www.atomicnerds.com/?p=1100&#038;cpage=1#comment-3515</link>
		<dc:creator>the pistolero</dc:creator>
		<pubDate>Tue, 07 Oct 2008 14:13:45 +0000</pubDate>
		<guid isPermaLink="false">http://www.atomicnerds.com/?p=1100#comment-3515</guid>
		<description>&quot;when people talk, they add all sorts of verbal tics as they try to keep the pace of talking up with the train of thought&quot;

I heard this very phenomenon on display this morning, as the deejays on the radio were inviting listeners to play something called &quot;The &#039;Uh&#039; Game.&quot; Callers were given a topic and had to talk about it for 30 seconds without saying the words &quot;uh,&quot; &quot;ah,&quot; or &quot;um.&quot; I think the deejays went through about 10 callers before they finally got a winner. It was really surprising.</description>
		<content:encoded><![CDATA[<p>&#8220;when people talk, they add all sorts of verbal tics as they try to keep the pace of talking up with the train of thought&#8221;</p>
<p>I heard this very phenomenon on display this morning, as the deejays on the radio were inviting listeners to play something called &#8220;The &#8216;Uh&#8217; Game.&#8221; Callers were given a topic and had to talk about it for 30 seconds without saying the words &#8220;uh,&#8221; &#8220;ah,&#8221; or &#8220;um.&#8221; I think the deejays went through about 10 callers before they finally got a winner. It was really surprising.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Chas S. Clifton</title>
		<link>http://www.atomicnerds.com/?p=1100&#038;cpage=1#comment-3514</link>
		<dc:creator>Chas S. Clifton</dc:creator>
		<pubDate>Tue, 07 Oct 2008 04:42:29 +0000</pubDate>
		<guid isPermaLink="false">http://www.atomicnerds.com/?p=1100#comment-3514</guid>
		<description>To me, the master of written dialog that sounds &quot;natural&quot; but is actually much more compressed is Elmore Leonard, the crime writer.

He does pages and pages of it -- very economical yet believable.</description>
		<content:encoded><![CDATA[<p>To me, the master of written dialog that sounds &#8220;natural&#8221; but is actually much more compressed is Elmore Leonard, the crime writer.</p>
<p>He does pages and pages of it &#8212; very economical yet believable.</p>
]]></content:encoded>
	</item>
</channel>
</rss>
